Saturday, December 27, 2008
98. "The Blood of Flowers" - Anita Amirrezvani
First there wasn't and then there was. Before God, no one was.
This is how all of the stories began in 17th century Iran, and a village girl dreams that her own story will have the sweet almond ending of the fables. However, during the comet, her family's luck turns, and she ends up scouring pots with her mother by the "kindness" of distant relations.
Still, the girl dreams of more. In the village, she wove a turquoise rug and sold it for her dowry. Now, her distant-uncle runs the royal rug shop. He teaches her to design, paint, and plot the knots tied on the rugs.
This is not a fairy tale, though, like she had grown up learning. She is married out on a three-month contract - basically, similar to the deal in "Pretty Woman," though she doesn't even get to stay during the daytime. Instead, she weaves a rug that begins to earn her uncle's respect.
Like Arabian Nights, there are fables or moralistic stories intertwined with the main narrative. Most were lovely additions, though I'll admit that I skimmed over them. The girl shows the spirit of many women, tied by their own knots, yet struggling against them. This is what carried the story and captured my interest.
4.0 out of 5.0 Polo Cocktails.